A Family Portrait
Isaiah Adepoju
Nigeria
Nobody died. A drowning here and there,
A strangling, a burn event, and into a creek Isaac had
Slid— but no death. In his dream my daddy
Professed love to my mother. There's a picture-proof
Hanging there somewhere. He had led her
Down a long aisle: she, made up. There was
No altar, no priest, no incense, no choir, no bridal train,
And no little boy bringing plastic flowers. Awkward
As dreams are. I grew up watching them fight.
I had fright at first, but I knew nobody dies from love.
There's a postcard of Isaac drowning, in a column
Of the family album. He looks at it often, running
His fingers over it. He says there's some revelation
Only he sees. After he hanged in June and the
Neighbours saved him, he said this life he had
Lived it before. His face is cold and black. I do
Not leave his hands. In the street the shops darken
To his hue. He invisibles. In the street I do not leave
The evidence he is. I hold it dearly. I am conscious of
All who breathe through my emptinesses, the spaces
I occupy. In the amphitheatre I am like a child
Bringing plastic flowers to the altar. The audience
See me and raise their palms and clap. Crows circle
The spire— Chests white, soft, like bone.
A Retired Nigerian, Isaiah Adepoju is a novelist who studies Literature in English. He is a fellow of Ebedi International Writing Residency and UNDERTOW Poetry Fellowship, UK.